Take Martin Scorsese as a producer/narrator, a handful of art historians discussing art and film historians discussing film up to the first world war. Then let gallery owner Arne Glimcher direct it and call it Picasso and Braque go to the Movies.

Confusing? Well, there’s only a few relevant comparsions between their Cubist art and movies at the time. Like Edisons film of bodybuilder Eugen Sandow from 1894 pictured above.

The rest is hard to follow, unless you know your art and movie history of the period, but even if you do it’s not always clear.

Instead I want to read Standish Lawder’s book The Cubist Cinema, where he tries to tie cubist art and cinema of the 1910s and 1920s, hopefully more succesful.

To summarize: I learned some stuff about Picasso and Braque and more or less the same facts about early film I already knew. And did Picasso and Braque go to the movies? Apparently, because the title says so.